Teen horror coming of age story with werewolves, where lycanthropy is used as a metaphor for puberty. No, really. Anyway, this is the story of the two sisters Ginger and Birgitte, who are morose outcasts of the sort I personally have never seen outside of American (or in this case Canadian) movies. Ginger is bitten by a werewolf on the first day of her first period, so she slowly turns into a werewolf, growing sexier and more primal on the way, until the "sexy" part kinda takes a drop... unless you're into that sorta thing. The relationship between the two leads is really good, although it gets a little uncomfortably incestuous at some points, still, it makes you care for the main characters, and that's something a lot of horror movies seem to forget you actually have to do. The makeup and the effects are pretty good, but not mindblowing or on An American Werewolf In London-kind of level. Still, very watchable, even for us guys.
It's Hellraiser.... IIIIIIIIN SPAAAAACE. Seriously though, the titular ship has suddenly reappeared after it's sudden disappearance. A team is sent to investigate the now derelict ship that was the first ship using experimental Faster Than Light travel technology. Hoh yes, I can't see this going wrong at all. On the expedition we also get the Event Horizon's designer, Doctor Wier, who has some guilt issues that eventually turn him into the anthromorphic representation of the now evil as hell ship, because faceless evil doesn't sit well with western audiences, I guess. Got some good scares, but a bit of a Jump Scare addiction as per usual, and the brief, and not so brief, flashes of hellish torture we get are properly fucked up. Probably a bit of a guilty pleasure, but it's one of the better space-horrors since Alien.
David Cronenberg's The Fly
Oh dear. When Cronenberg's involved, you know you're not in for a happy fun ride. Scientist Seth Brunden has invented a teleporter, but when he tests it out, a lone fly in the teleportation chamber leads to what can easily be described as a genetic mashup with the worst thinkable consequences. Seth becomes some half-human half-fly abomination, and his girlfriend is starting to wonder if the child she's carrying will have a similar genetic problems. It's a rare movie in that it happens to be both heartbreaking and quite stomach-churning, sure. Sure, we see the protagonist hurl acidic vomit at both food and... somewhat more sentient targets, but we also see his girlfriend who's simultaneously be worried for and afraid of her increasingly mutated love. I would say the movie's just a little less disturbing than Videodrome overall, but that's mostly because it's fairly straightforward. It pretty much crushes Videodrome under it's heel what emotional investment is considered, though.
Halloween's apparently my "catch up with horror movies I should have seen"-holiday. Works for me. This flick follows the titular character, a naive outcast, who gets invited to the prom by a popular guy. What could possibly go wrong? In a nutshell: Pig's blood, psychic powers and religious guilt and paranoia implanted by a crazy abusive christian fundamentalist mother. Oh yes, this one is a bit light on the horror, like a lot of Stephen King stuff is want to do, but once it cracks up, it cranks up on high.
I figured I could end this on a lighter note. Don't get me wrong, death, pain and universal brouhaha is all nice and well, but once in a while, I want to see a movie with zombies, gore, ludicrous gibs, and all the main characters surviving. Four survivors traveling through zombie-infested America, searching for home, a theme park and a twinkie. It's a fairly clever zombie flick, maybe a bit of a reconstruction of zombie movies. Fun, awesome, and kind of heartwarming, talked about it before.